US DEPARTMENT OF STATE Haley Reference

Researched and written by Fair
1st February 2005

Hopefully many of us will remember the United Nations Haley Reference that I posted just a couple of months ago.

Well it would seem that the U.S. State Department has also taken an interest in this amazing young man... perhaps I should give you another moment to let this sink in as well. Anyway, I am going to take a moment to try and properly set this up, because the setup is almost as important as the Haley reference itself.

The focus of the article is devoted to the most recent interview given by Haley. The interview took place on 22-November-2004, as part of a one-hour video conference he held with the city of Minsk in Belarus. He was speaking with the students in some of the High Schools in Minsk, from Los Angeles. I'll provide more details about why the video conference was setup tomorrow, as that is not the focus of this article.

Getting back to the U.S. State Department, and their interest in Haley... the U.S. State Department publishes various journals that focus on various aspects about the United States. These journals are then provided to the Embassies around the globe for informational purposes, as part of their "International Information Programs". One such journal is devoted to "U.S. Society and Values".

In the December 2004 issue of "U.S. Society and Values", the focus of that issue was devoted to, "The United States in 2005: Who We Are Today". Basically the issue offers an overview of the identity of the United States for 2005. One section of the issue provides this information... "Next we take a look at 13 Americans, some well known, most not. With these short profiles, we give you a glimpse of America's diversity, and of how some Americans live their everyday lives and what is important to them." One other notable name from that list of 13 Americans is Colin Powell.

So... because of the video conference with Belarus, the U.S. State Department took notice of that, and more important... took notice of who was involved, and decided to write up a feature profile of Haley for their December 2004 issue of "U.S. Society and Values". They wanted to include Haley as a fine example of life today in the United States.

Let's just think about that for a moment... just as the United Nations wanted to include Haley as an Amabassador for one of their events... so has the U.S. State Department noticed the fine example being set by this outstanding young man. The issue asks, "The United States in 2005 - who are we?" Well... the U.S. State Department thinks that Haley is someone who provides the best answer to that question.

Wow... how was that for a setup...?

Finally, onto the profile of Haley as found in the December 2004 journal. Haley's profile can be found here!! The list of profiles for the other 12 individuals can be found here. You can download an Adobe Acrobat version of the December 2004 issue of "U.S. Society and Values" here. The web based version of the journal starts here. You can learn more about the other electronic journals provided by the U.S. State Department here.

In an international digital video conference last November, a questioner in Minsk asked the 16-year-old American actor Haley Joel Osment whether he had a driver's license and, if he did, what kind of car he drove. Osment answered that he drove "the family Saturn, which is a well-made American car." His response was in keeping with the portrait that emerges in the interview of a young professional who has enjoyed extraordinary success almost from the time he stepped in front of a camera.

Osment was four years old when he persuaded his mother to let him audition for a Pizza Hut commercial. (It may not have taken much effort to persuade her, since Haley's father was a professional actor.) Osment got the job, and it wasn't too much later that he landed his first film role, playing Forrest Gump's son in a movie that was a critical hit and a commercial success.

The kind of phenomenal early success in the film industry that Osment has experienced can be a recipe for personal disaster. Fame, financial security, and life in a Hollywood bubble don't always add up to the development of a mature, well-grounded individual. But Osment seems determined, with the help of his parents, to become just that. Although he is tutored when he is shooting a movie, when he's not filming he attends secondary school at home in Los Angeles. He plays sports. He hangs out with his friends, "who don't take the acting part of my life too seriously. ... It's not a big part of our friendship." He's an active member of his secondary school drama department, which is currently working on "The Laramie Project." And when he graduates, he plans to attend college. He'll study film, of course, but he also intends to study history and politics.

In an hour-long conference with English-speaking students from Belarus, Osment's poise before the camera was to be expected — he's an actor, after all— but not necessarily his ability to articulate the craft of the profession to which he has devoted himself. He recognizes his good fortune: "When art is your work," Osment said, "you really don't end up working at all." And that is because, he went on to explain, you care so much about what you do. Acting, Osment said, has to do with becoming someone else, and believing it. "The best part of acting is making that transformation into another person," he told the students in Minsk. "That's really what the essence of acting is, [it's] believing that you are someone who you are not." Not coincidentally, for Osment, the hardest part of acting is believing "what your character is living." If it works, if you can do it, you wind up creating what he described as "an alternative reality."

One questioner wondered why so many actors seem to burn out or disappear after making a splash as a child actor. Osment seemed to be aware of the danger of that happening and converted it to a challenge. His goal, he said, is to continue to improve his acting. Each time he portrays a character, he strives for a better performance, building on what he has done in the past and strengthening his art as he moves from role to role. Having played so many child parts, he looks forward to being able, eventually, to play "a villain."

As for the fame that comes along with success in the movie business, Osment told his interlocutors in Minsk that an actor should first and foremost respect his fans. "Without their support, you wouldn't be working, " he said. Still, he recognizes that celebrity can be a distraction from what really matters, which is the work, and the art in the work. He appears to mean it, and to know what he is saying, when he tells people that when it comes to making films, what's important is "the work on the set."

If there is such a thing as equilibrium in life for a famous young actor, Haley Joel Osment seems to be close to achieving it. One way or another, his future lies in film. While he will continue to act, he said, after college he hopes to explore other aspects of moviemaking, including writing and directing. In the meantime he'll keep working, and studying, and playing rock and roll music with some friends. As he does all that, the odds seem good that he will do so with his feet firmly planted on the ground.

December 2004 — Mark Jacobs

 

AUDIO CLIPS
Audio
Transcript
Working with Famous Actors

Sometimes it's exciting, and sometimes a little bit nerve-wracking when you're working with actors that have had a lot more experience than you. But, more importantly, it's a great opportunity to learn a lot. And I think this film was a good example of that.

When you're working with actors like Michael Caine and Robert Duvall it's a really big opportunity to learn from these guys who have been working in the industry for many, many, many years. And that's exactly what happened on the set, I think.

Everyone who spent time with them on this project learned a little bit about what they had to offer.

The Most Important Thing In Life

The most important thing. Oh, gosh. Well, obviously, I mean, if you're talking the most important, you start off with — I guess with the theme of "Secondhand Lions," which would be family.

But then branching off from that, I think my involvement in art is really, really important for me, whether it's acting, writing, or the music I've been doing. I think that would be another thing that's really important for me right now, what I focus on.

The Art of Acting
The best part of acting, I think, is making that transformation into another person. That's really what is the essence of acting, is believing that you are someone who you are not.

And that's why I enjoy it so much, that it's great to be able to feel on the set and just create an alternate reality. And the more that you work on films and the more that you have experience working with other actors, the quicker and the, I guess, more honestly you can create a character.

And that's what you sort of work on your whole life as an actor, and just every time you work on a film, you work towards creating a more honest depiction of the character and believing more that you are the character. And that's just why I enjoy this so much, is that process.

Dealing With Fame
I try not to let the fame part of it be a factor in everyday life. Because when it comes down to it, the only thing that's important to me that has to do with the fame is just the work on the set and the acting part of it.

And the result of that acting is — as you say, can be fame, but I try not to concentrate on that too much because that's not the most important thing about this business for me. It's about the work. And I think if I continue to focus on that, I hope that my career will be able to continue as well as it has been going so far.

Haley is the best .


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